Brandon Tay is a Singapore-born, Shanghai-based artist working across sculpture, installation, moving image, and speculative systems. His practice explores how myth, technology, and historical knowledge become entangled through interfaces, infrastructures, and symbolic forms.
Drawing on sources that range from scientific revelation and occult traditions to computational logics and vernacular media, he builds works that stage reality as recursive, unstable, and continually rewritten.
Working through biomorphic sculpture, simulation, text, and networked imagery, Tay creates environments that blur the line between system and symbol, archaeology and speculation.
